RIHLA FILM MAROCAIN

Mike Fowlie Directeur artistique: That is to say, there is a strong biographical connection. According to what the director said at the press conference, the idea for the story came from the popularity of cyber-cafes among young people. Moroccan cinema, throughout its history, has dealt with the mistake of the clandestine journey, and presents the wife or girlfriend, who resists being abandoned, as the person who foresees the consequences of emigration. The Hajj, the longest running congregation of humans annually on planet earth, is definitely a unique experience for the medium. The story takes place in Larache, a city in northern Morocco that faces the coast of Spain.

This selection, representing films from Hong Kong, Japan, South Korea, Thailand and India, revealed fertile creativity, both in formal strategies and narratives, in a genre in which it seemed as though everything had already been said. On this occasion, and for the third consecutive year, Las Palmas featured a focus on the thriller genre. Chems Eddine Zinoun The Highwayman: Another factor which reinforces the portrayal of people fleeing to Europe, is the fact that many of the directors either live or have studied in big European cities, mainly in Belgium, France and Italy. This hedonistic view contradicts that of his father, who imposes the religious purpose of the trip. Emma Bellocq Location Director – Mecca: This festival specialises in the kind of cinema that, far from the mainstream, could be found in any corner of the world. Ghasem Ebrahimian Directeur de la photographie – La Mecque:

Filmed in both French and Arabic, it is a beautiful film in which one can sense the generation gap between two family members who have very different views of life. Daniel Ferguson Director Of Photography: Whatever their gender or social status, the characters find themselves forced to cheat, and ribla up appearances, as a result of being so exposed to social control.

Chems Eddine Zinoun The Highwayman: May 10, World Premiere in Abu Dhabi on January 7th, presented on the largest outdoor film screen ever assembled 70′ by ‘. In the festival shone with tributes to the acclaimed Apichatpong Weerasethakul and Jia Zhang-ke, and to top it off, they screened a comprehensive program of the works of Chris Marker.

In this film, three Frenchmen go to the wild Georgian mountains in the former Soviet Union, with the assistance of a guide, Nikolai, who helps them with the paperwork of an inheritance. Bruce Neibaur Executive Producer: Hassam Ghancy Ibn Muzaffar: One very decisive sequence, and one that tests the viewer, is the one in which the husband, stalked by his jealous wife, hits her in the middle of the street, and then immediately regrets the act, embarrassed by such despicable behaviour.

The story is book-ended by a close-up look at the contemporary Hajj, a pilgrimage to Mecca that draws three million Muslims from around the world every year who perform rituals that have taken place for over 1, years.

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In recent editions of Las Palmas, there has been a justified inclination toward Asian fikm, with a tendency towards films from China, Korea, and Thailand, although there has also been an inclination towards films from Brazil, and this year, from Morocco. Young Rouhi, who is finalising her wedding preparations, witnesses the anxiety of her boss, a woman who is convinced that her husband is cheating on her with a neighbour who lives in the same building.

His girlfriend tries to make him see reason, but once again it is in vain.

Bouzebal, un marocain d’en bas ?

Fireworks Wednesday subtly contradicts the expectations of a western audience who are used to seeing the kind of Iranian films that tend to criticise the treatment of women in Muslim countries. Ibn Battuta would not mzrocain home for almost 30 years, reaching over 40 countries and revisiting Mecca five more times to perform the Hajj. In one tragic-comic scene, his father negotiates the price of passage to Spain.

Rafey Mahmood Le film propose: According to what the director said at the press conference, the idea for the story came from the popularity of cyber-cafes among young people. Ghasem Ebrahimian Director of Photography – Mecca: Ibn Battuta finally joins the legendary Damascus Caravan with thousands of pilgrims bound for Mecca for the final leg of what would become his 5, mile, 18 month long journey to Mecca.

Bouzebal, un marocain d’en bas ?

The most noteworthy aspect of this film, however, lies in the effective way that lack of freedom and privacy are portrayed in a building where all the neighbours watch each other, and where everyone is at the mercy of the devastating consequences of gossip.

One of the main characters of the film rihlz a regular in these places, and spurred on by his virtual contact with the outside world, decides to cross the strait of Gibraltar. From among these one thousand and one images, which form part of the most stimulating cinema of the Magreb at the moment, the one that appears most is the rkhla of emigration, or in its more domestic version, the exodus from the rural areas.

As part of the industry kept on the sidelines, its resurgence is encouraging news. The real value of such a festival lies in its ability to understand the key factors in the latest trends in independent films, and especially, programming that reflects the selection criteria and wisdom of its organisers.

This hedonistic view contradicts that of his father, who imposes the religious purpose of the trip. Her fear of losing her husband, Mojdeh, makes her seem perturbed by her obsession of needing to watch every move he makes.

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By the time he returned marocaim years later, he had traveled the world from West Africa, Spain and India to China and the Maldives, covering some 75, miles and three times further than Marco Polo. The public also had the chance to see his most recent film Hana yori mo naho Hanaa unique comedy set in the 18 th century, which challenges the conventions of the samurai film by having a clumsy warrior as its main character.

That is to say, fklm is maroczin strong biographical connection. Carl Knutson Superviseuse de la Production: The story takes place in Larache, a city in northern Morocco that faces the coast of Spain. Its more recent films, however, point out the false hopes that youth suffers in this country, placing all their expectations in Europe, without realising that everything they are missing is available at home.

film rihla wa al jonon

Reda, worried about being accepted at university, and being cut off from his girlfriend during the length of the journey, looks marodain the adventure from the point of view of the rohla he grew up in, and intends to take advantage of the trip by doing a lot of sightseeing.

There are two positions taken fiom dealing with the theme of emigration. During his travels he is attacked by bandits, marocan by thirst, rescued by Bedouins, and forced to retrace his route by a war-locked Red Sea. In summary, Las Palmas is distinct for the quality of its careful programming, despite, or perhaps precisely because the festival looks beyond the mainstream, and toward a more varied cinema.

Nikolai tries in vain to dissuade these tourists from interfering, camera in hand, and in trying to correct the fate of an old man condemned to death by the mountain laws. Firstly, Morteza, the wife, is not the type of character that audiences can relate to at all. Producer Tony Thatcher Line Producer: The result is a futile attempt to escape the country, as no sooner has the boy arrives in Spain than he is promptly deported by the Spanish authorities.

What is certain, however, is that although it should be made clear that this is not the only theme, the problem of emigration is either directly or indirectly present in a good part of the films programmed in the festival.